RADIO

Aurelia Greenlaw is a twenty-two year old Captain in the 13th Recon Division, and she is a Radio.

In Palvera, the nation built on the ruins of North America, that word means something specific. Centuries ago an experiment on the human mind produced a mutation that never went away. Now there are six kinds: Builders, who rearrange matter with their hands. Washers, who put thoughts in your head and let you believe you thought them. Shifters, who change what you see. Sensatives, who read what you feel and can turn the dial on it. Nets, who move what they can see without touching it. And Radios, who read the world in waves, who hear a signal a mile out and can put a voice inside your skull. The Centre calls this humanity, perfected. Everyone born without it is a Blank, and the Centre has built a country on that distinction.

Arra has spent her whole life on the useful side of the line.

Then a bomb takes her unit apart on the mountain and leaves her the only one breathing. The Centre searches forty-eight hours for a missing soldier. After that, she’s a name on a list.

She wakes on day three, strapped to a gurney in a stronghold carved into rock, listening to the people who found her argue about whether she’s worth the water it would take to keep her alive. They’re Blanks. They’ve also done the one thing no Blank should be able to do. They’ve blocked her. The waves are gone. The world has gone flat and quiet, and the part of her that made her worth keeping has been cut out.

Arra is going to get home. She’s willing to be patient about it: count the turns in the tunnels, memorize the faces, learn who can be used and who can be turned. What she doesn’t account for is how long it takes, or what months of it do to a doctrine that was never meant to survive contact with the people it was written about.

 Radio is an adult dystopian novel about inheritance, indoctrination, and what’s left of a person when the thing that defined her is taken away.